Coming Soon
Friday, 19 September 2025
What if you could open a doorway and walk through it to re-live a defining moment from your past? Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey – a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present…and possibly getting a chance to alter their futures.
Friday, 03 October 2025
ANEMONE explores the complex and profound ties that exist between brothers, fathers, and sons.
Friday, 03 October 2025
Avatar: The Way of Water reaches new heights and explores undiscovered depths as James Cameron returns to the world of Pandora in this emotionally packed action adventure. Set more than a decade after the events of the first film, Avatar: The Way of Water launches the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure. All of this against the breathtaking backdrop of Pandora, where audiences are introduced to new Na’vi cultures and a range of exotic sea creatures that populate the majestic oceans.
Friday, 31 October 2025
Marty McFly, a 17-year-old high school student, is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his close friend, the maverick scientist Doc Brown.
Sunday, 28 September 2025
Captured live in France and named the official show of the Year of Jubilee 2025, the musical phenomenon made its U.S. debut at the National Eucharistic Congress in Indianapolis last summer—and is now coming to a movie theatre near you! Discover or rediscover the inspiring story of Bernadette Soubirous, the fourteen-year-old girl who, in the mid-19th century in southern France, encountered 18 Marian apparitions. Based on historical records from interrogations and investigations by police, district attorneys, and church authorities, the Musical focuses on how Bernadette, the poorest and least educated girl in town, bravely faced her skeptics with character, candor, honesty, and a good sense of humor. Bernadette’s message remains unchanged: bearing witness is more powerful than seeking to convince.
Tuesday, 07 October 2025
It’s Chicago in the 1980s and ‘90s, and Kevin Matthews has it all as one of the nation’s most recognized on-air radio personalities. He’s partying with celebrities, rubbing shoulders with famous athletes, and the world is at his fingertips. Then everything changes – he’s diagnosed with a debilitating illness and the spotlight gradually slips away. At the height of his anguish, he stumbles upon a broken statue of the Virgin Mary, and his life takes an unexpected turn. In this moment of spiritual awakening, Kevin finds his true purpose and calling, discovering what matters most. Calling himself “Mary’s Roadie,” he offers his fans something deeper: inspiration and hope.
Wednesday, 24 September 2025
The grand finale of “The Most Beautiful Moment in Life” series by BTS, where the story of youth shines brightest— it’s
Wednesday, 24 September 2025
BTS cemented their global status with their first Billboard Music Award win, and their meteoric rise is powerfully captured in <[BTS 2017 Live Trilogy EPISODE III THE WINGS TOUR THE FINAL Remastered>. Individual and unit performances reveal a spectrum of charms through velvety vocals and poetic rap, while the electrifying performances of “Blood Sweat & Tears,” “DNA,” and “MIC Drop” showcase the tour’s expanded scale! A pivotal chapter in BTS’s journey unfolds vividly on screen.
Wednesday, 01 October 2025
A breathtaking expression of true love and the meaning of existence beneath a star-filled sky—
Wednesday, 01 October 2025
A one-of-a-kind “FESTA” that transcended time and space, uniting BTS and ARMY as one —
Friday, 03 October 2025
An afterlife therapist and his daughter meet a friendly young ghost when they move into a crumbling mansion in order to rid the premises of wicked spirits.
Friday, 10 October 2025
When a shy groom practices his wedding vows in the inadvertent presence of a deceased young woman, she rises from the grave assuming he has married her.
Friday, 19 September 2025
Dive into a majestic mermaid world with Dora! In this swimsational limited-time theatrical movie event, Dora and Boots turn into mermaids and go on a series of mer-mazing underwater adventures with their new friend, Marisol the Mermaid and her dolphin bestie Rosa! Plus, in a bonus adventure, celebrate Dora’s birthday!
Friday, 26 September 2025
In Eleanor The Great, June Squibb brings to vivid life the witty and proudly troublesome 94-year-old Eleanor Morgenstein, who after a devastating loss, tells a tale that takes on a dangerous life of its own. Scarlett Johansson’s directorial debut is a comically poignant exploration of how the stories we hear become the stories we tell.
Friday, 26 September 2025
In the new film, Gabby (Laila Lockhart Kraner, reprising her role from the series) heads out on a road trip with her Grandma Gigi (four-time Grammy Award winner Gloria Estefan) to the urban wonderland of Cat Francisco. But when Gabby’s dollhouse, her most prized possession, ends up in the hands of an eccentric cat lady named Vera (Oscar®nominee Kristen Wiig), Gabby sets off on an adventure through the real world to get the Gabby Cats back together and save the dollhouse before it’s too late.
Friday, 03 October 2025
A loyal dog moves to a rural family home with his owner Todd, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.
Friday, 03 October 2025
Welcome to the pumpkin capital of the world, where the pumpkins are epic, the rivalries are fierce, and the competition is anything but garden variety. Dinah Little, a no-nonsense farmer with a tough-as-a-pumpkin exterior, reluctantly takes in her abandoned niece, Charlie. Dinah is not quick to affection, and Charlie is not one for sitting still. So she throws her into farm life, sleeves rolled up and hands in the dirt. Then comes the town’s biggest spectacle, the annual pumpkin-growing contest, a Halloween season tradition that brings out wild stunts, eccentric characters, and record-setting drama. But Charlie has something no one else does, a special knack for connecting with plants that quietly reflects her own longing to feel just as seen and loved. But as both pumpkin and plot thicken, and rival growers pull every trick in the book, will Charlie and Dinah’s unlikely entry stand tall against the fiercest competition the town has ever seen? As her pumpkin grows bigger, so does her bond with her aunt Dinah. Together they discover that the real prize is not measured in pounds, but in joy, laughter, and community. What begins as a seed blossoms into an exuberant and hilarious story of crazed competition, found family, and love that grows as boundless as the pumpkins themselves.
Friday, 24 October 2025
Director John Carpenter’s ORIGINAL horror classic. Escaped maniac Michael Myers returns home 15 years after committing a grisly murder…and just in time for Halloween. Jamie Lee Curtis, in her film debut, plays a babysitter who is stalked by Myers. A sleeper hit at the box office, this thriller inspired a whole series of “slasher movies” featuring teenagers in peril. (“You can’t kill the boogeyman.”)
Friday, 19 September 2025
HIM stars former college wide-receiver Tyriq Withers as Cameron Cade, a rising-star quarterback who has devoted his life, and identity, to football. On the eve of professional football’s annual scouting Combine, Cam is attacked by an unhinged fan and suffers a potentially career-ending brain trauma. Just when all seems lost, Cam receives a lifeline when his hero, Isaiah White (Marlon Wayans), a legendary eight-time Championship quarterback and cultural megastar, offers to train Cam at Isaiah’s isolated compound that he shares with his celebrity influencer wife, Elsie White (Julia Fox; Uncut Gems, No Sudden Move). But as Cam’s training accelerates, Isaiah’s charisma begins to curdle into something darker, sending his protégé down a disorienting rabbit hole that may cost him more than he ever bargained for.
Friday, 26 September 2025
Step inside one of the most iconic venues in the world for an unforgettable night of music, energy, and spectacle. Captured live from Kygo’s sold-out Hollywood Bowl performance on his record-breaking world tour, Kygo: Back at the Bowl delivers a next-level concert experience—remixed, remastered, and reimagined for the big screen. Directed by Sam Wrench (Taylor Swift: The Eras Tour, Billie Eilish Live at the O2), this immersive concert film brings fans front row through cutting-edge SCREENX and 4DX formats, featuring surprise guest performances by Ryan Tedder, Ava Max, Zara Larsson, Calum Scott, and more. Whether you're a longtime fan or discovering Kygo for the first time, this is your all-access pass to the magic of a live show—like you've never seen or felt before.
Wednesday, 22 October 2025
Mitski: The Land converts the magic and majesty of witnessing Mitski live onto screen. Filmed over three nights at Atlanta’s Fox Theatre in 2024, this is a thrilling portrayal of what kept hundreds of thousands of fans rapt at venues across the globe. A phenomenal live performer, Mitski brought her acclaimed seventh album, The Land Is Inhospitable and So Are We, to the world’s stages in theatrical and daring fashion, presenting as much a spectacle as an expansive live show. Alongside a seven-piece band and with choreography by Monica Mirabile, Mitski uses every inch of the stage to her advantage, weaving in and out of the spotlight and shadows. Mitski: The Land captures an artist at the height of her musical powers, bringing a cinematic intimacy to the sweeping live experience, showcasing music from “The Land Is…” alongside reworkings and reimaginations of songs that color her expansive career. The starkness of the stage design (created by Andi Watson) evokes the album’s themes of isolation, longing, and the wild beauty of human connection, with visual elements that shift from a striking minimalism to a lush, dreamlike tableau. Directed by Grant James and mixed by her long-standing producer Patrick Hyland, Mitski: The Land preserves the rich, raw aura of having experienced these shows first-hand, whilst offering fans the opportunity to remember together or witness Mitski’s magic for the very first time.
Thursday, 23 October 2025
Off School Property: Solving the Separation of Church and State explores the historic shift that removed the Bible from public education—and the lasting impact on students, schools and society. Featuring insight from cultural researcher George Barna and other respected voices, this thought-provoking documentary examines how we got here, what’s been lost and how a constitutionally sound solution is already bringing hope to communities across the country.
Friday, 26 September 2025
When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunites to rescue one of their own's daughter.
Saturday, 25 October 2025
In the town of Blithe Hollow, Norman Babcock can speak to the dead, but no one other than his eccentric new friend believes his ability is real. One day, Norman's eccentric uncle tells him of a ritual he must perform to protect the town from a curse cast by a witch centuries ago.
Saturday, 25 October 2025
In the town of Blithe Hollow, Norman Babcock can speak to the dead, but no one other than his eccentric new friend believes his ability is real. One day, Norman's eccentric uncle tells him of a ritual he must perform to protect the town from a curse cast by a witch centuries ago.
Wednesday, 05 November 2025
The most triumphant sports-drama franchise in history returns with a new look in ROCKY IV: ROCKY VS. DRAGO. Director, writer and star SYLVESTER STALLONE masterfully reshapes ROCKY IV in this ultimate director’s cut, including new footage. With more intense fight scenes, world heavyweight champion Rocky Balboa (Stallone) defends his title once again, this time against Drago (Dolph Lundgren), a six-foot-four, 261-pound fighter who has the backing of the Soviet Union.
Friday, 10 October 2025
Directed by Sean McNamara (SOUL SURFER, REAGAN), written by Gregory Poirier and based on O’Leary’s bestselling memoir, On Fire, this film is an emotional and faith-filled portrait of resilience as O'Leary not only battles to survive but ultimately discovers what it means to truly live. From frontline workers to family members, and the support of the wider community, this film is a celebration of heroes.
Friday, 26 September 2025
Average teenager Peter Parker (Tobey Maguire) is transformed into an extraordinary superhero after he is accidentally bitten by a radioactive spider. When his beloved uncle (Cliff Robertson) is savagely murdered during a robbery, young Peter vows to use his powers to avenge his death. Deeming himself “Spider-Man,” he sets about ridding the streets of crime, bringing him into conflict with malevolent super-villain “Green Goblin” (Willem Dafoe).
Saturday, 27 September 2025
The second installment in the blockbuster Spider-Man movie series (based on the classic Marvel Comics hero) has the web-slinging superhero confronted by a formidable adversary named Dr. Otto Octavius (Alfred Molina), a scientist, better known as “Doc Ock”; whose experiments go awry, mutating him into a metallic, octopus-like creature. Peter must also come to terms with his decision to dedicate his life to fighting crime Spider-Man or give it all up to finally be with his true love, Mary Jane Watson (Kirsten Dunst), who he walked away from two years earlier.
Sunday, 28 September 2025
Peter Parker (Tobey Maguire) finally has the girl of his dreams, Mary Jane Watson (Kirsten Dunst), and New York City is in the throes of Spider-mania! But when a strange alien symbiote turns Spider-Man’s suit black, his darkest demons come to light changing Spider-Man inside as well as out. Spider-Man is in for the fight of his life against a lethal mix of villains – the deadly Sandman (Thomas Haden Church), Venom (Topher Grace), and the New Goblin (James Franco) – as well as the enemy within himself.
Saturday, 18 October 2025
On a long car ride to their new home, young Chihiro and her parents stop by an abandoned park that turns out to be a gateway to the spirit world. Chihiro’s parents become cursed, and she is put to work in a bathhouse frequented by creatures both adorable and grotesque. Stripped even of her true name, Chihiro must cling tightly to her slipping memories to reconnect with her mother and father and break free from this bizarre and dreamlike realm. Spirited Away earned Studio Ghibli and director Hayao Miyazaki their first Academy Award® for Best Animated Feature, and remains heralded not only as a landmark of animation, but as one of the greatest films of all time.
Saturday, 18 October 2025
On a long car ride to their new home, young Chihiro and her parents stop by an abandoned park that turns out to be a gateway to the spirit world. Chihiro’s parents become cursed, and she is put to work in a bathhouse frequented by creatures both adorable and grotesque. Stripped even of her true name, Chihiro must cling tightly to her slipping memories to reconnect with her mother and father and break free from this bizarre and dreamlike realm. Spirited Away earned Studio Ghibli and director Hayao Miyazaki their first Academy Award® for Best Animated Feature, and remains heralded not only as a landmark of animation, but as one of the greatest films of all time.
Friday, 26 September 2025
A wild journey into the origins of The Rocky Horror Picture Show, the biggest cult film of all time, its impact on popular culture and socio-political resonance to this day.
Friday, 19 September 2025
Follows the titular superhero as he reconciles his heritage with his human upbringing. He is the embodiment of truth, justice and the American way in a world that views this as old-fashioned.
Sunday, 12 October 2025
Another world, another time… in the age of Wonder. From genius filmmaker Jim Henson comes The Dark Crystal, a masterful live-action fantasy starring some of the most imaginative creatures ever put on film. Many years ago, the mysterious Crystal was cracked and an age of chaos began, led by the evil race of Skeksis who rule over the land of Thra. Meanwhile, raised in solitude by a gentle race of creatures called the Mystics, the Gelfling orphan Jen is sent on a quest to find the missing shard that will heal the Crystal and restore balance to the universe. This special screening is part of The Jim Henson Company’s 70th anniversary celebration and features an introduction from Brian Henson, Jim Henson’s son and Chairman of the Board of The Jim Henson Company.
Monday, 06 October 2025
The Devil’s Rejects – the second installment of writer-director Rob Zombie’s demented Firefly trilogy – celebrates 20 years of depravity and dismemberment with a nationwide theatrical release on October 6 & 8. Brought to you by Fathom Entertainment, and with a new introduction by Rob Zombie, the film begins with revenge-crazed Sheriff Wydell and his men surrounding the Fireflys’ homestead, guns blazing – but when the smoke clears, Otis and his sister, Baby, have managed to escape. Taking refuge – and hostages – in a back-road motel, the most-wanted siblings rendezvous with their deranged partner in crime, Captain Spaulding, killing whoever happens to stand in their way. But as the body count mounts higher, Sheriff Wydell decides to “cross the line” and take the law into his own hands, paving the way for one of the most terrifying, mayhem-filled showdowns in cinematic history. See it on the big screen in theaters October 6 & 8 only, for an exclusive two-night event.
Friday, 26 September 2025
Bus driver Kevin McKay and school teacher Mary Ludwig navigate a bus full of children through a deadly wildfire as the town of Paradise is caught in the destruction and chaos.
Saturday, 13 December 2025
ACT I Spring, 1789, at the Château de Coigny near Paris. Gérard, servant to the Countess de Coigny, mocks the aristocracy and their manners. Observing his father struggle with a piece of furniture, Gérard laments the suffering of all servants under their arrogant masters (“Son sessant’anni”). Maddalena, the Countess’s daughter, appears and Gérard realizes how much he loves her. Busy with preparations for a soirée that evening, the Countess scolds Maddalena for not yet being dressed. Maddalena complains to her servant, Bersi, about the discomfort of the current fashions and then runs out to change. Among the guests to arrive is Fléville, a novelist, who has brought with him the rising poet Andrea Chénier. After the Abbé relates the latest depressing news from Paris, Fléville enlivens the party with a pastorale he has written for the occasion. Maddalena then teases a reluctant Chénier into improvising a poem (“Un dì all’azzurro spazio”). Chénier scandalizes the guests with his criticism of the indifference of the clergy and the aristocracy to the suffering of the impoverished. The guests’ gavotte is interrupted by Gérard, who brings in a group of starving peasants. The Countess orders Gérard out along with the rabble. The guests are then invited to return to the gavotte, but they depart instead, and the Countess is left alone. ACT II Spring, 1794, along the Cours-la-Reine in Paris. The Revolution has begun, and the Reign of Terror is in full force. To fend off the Incredibile, a spy, Bersi pretends to be a daughter of the Revolution (“Temer? Perchè?”). The Incredibile is not deceived and notices that Chénier is waiting for someone in the Café Hottot. Chénier is joined by his friend Roucher, who has brought a passport so that Chénier may leave the country safely. Chénier says his destiny is to remain to find the love he has never had and to discover who has been writing him anonymous letters (“Credo a una possanza arcana”). A procession of dignitaries led by Gérard interrupts their conversation. The Incredibile takes Gérard aside to ask about the woman he is looking for. Gérard describes Maddalena to him. Meanwhile, Bersi asks Chénier to wait at the café for someone who wants to meet him. Maddalena appears and reveals to Chénier that it was she who wrote the letters. They pledge to love each other until death (“Ora soave”). The Incredibile, having seen Chénier and Maddalena together, brings Gérard to the scene. Gérard is wounded as Chénier defends Maddalena. Gérard, however, recognizes Chénier and sends him away, asking him to protect Maddalena. When the gathering crowd asks who wounded Gérard, he answers that his assailant was unknown. ACT III July 24, 1794, in the courtroom of the Revolutionary Tribunal. Mathieu, a revolutionary, is unsuccessfully urging the crowd to donate to the cause. Gérard, recovered from his wound, makes an impassioned plea for the motherland. Madelon, an old woman who has already lost her son and a grandson in the war, offers her last grandson as a soldier (“Son la vecchia Madelon”). As the crowd disperses, the Incredibile appears. If Gérard wants to have Maddalena, the Incredibile insists, he must first arrest her lover, Chénier. As Gérard writes the accusation, he is filled with remorse at the bloodshed he has caused in his rise to power. He concedes that his new master is passion (“Nemico della patria”). No sooner does he hand Chénier’s indictment to the court clerk than Maddalena appears. Gérard admits that he has laid a trap for her and that he loves her. Maddalena offers herself to Gérard if he will save Chénier. She has been a fugitive, her mother was killed in the Revolution and their home was burned (“La mamma morta”). Touched by her love for Chénier, Gérard promises to try to save him. The Tribunal convenes with an unruly mob in attendance. Chénier pleads for his life (“Sì, fui soldato”) and Gérard admits to the judges that the accusation he wrote was false. Nevertheless, Chénier is sentenced to death and taken away. ACT IV July 25, 1794, in the ruins of Paris’ St. Lazare prison. Chénier reads a final poem (“Come un bel dì di maggio”) to his friend Roucher, who then bids him a final farewell. Gérard and Maddalena are met by the jailer, Schmidt, whom Maddalena bribes with some jewels to allow her to take the place of another young woman sentenced to death. Gérard leaves to once again plead Chénier’s case with Robespierre. Maddalena tells Chénier she is there to die with him. As the day dawns, they share one final moment together (“Vicino a te”) before being taken to the guillotine.
Saturday, 22 November 2025
ACT I Vienna, 1860. In the Waldners’ hotel suite, Countess Adelaide von Waldner consults a fortuneteller about the family’s financial crisis. The cards predict a rich marriage for their beautiful daughter Arabella, which would get the family out of debt, but the fortuneteller sees danger from a second daughter. Adelaide admits that their “son,” “Zdenko,” who has been warding off creditors at the door, is in fact a girl, Zdenka, who has been brought up as a boy to save the family the ruinous expense of introducing two daughters into society. Adelaide and the fortuneteller leave and Zdenka, alone, laments the family’s situation. She fears they will have to leave Vienna and she will never see Matteo again, a young lieutenant and one of her sister’s suitors whom Zdenka has fallen in love with. To keep him happy, she has been writing him love letters in Arabella’s hand. Suddenly Matteo appears and asks his best friend, “Zdenko,” to help him win Arabella—otherwise he will shoot himself. Then he rushes off, leaving Zdenka desperate. Arabella returns from a walk to find presents from her three other suitors, Counts Elemer, Dominik, and Lamoral. Although Zdenka loves Matteo, she begs her sister to favor him so he will not be heartbroken. Arabella replies that the right man for her hasn’t appeared yet—she knows that once he does, she’ll recognize him. Elemer arrives to invite Arabella for a sleigh ride. Before she goes off to change, she notices a stranger outside the window whom she had seen earlier that morning. The two girls leave as Count Waldner enters and tells his wife that as a last resort he sent a photograph of Arabella to a rich old friend and fellow officer, Mandryka, hoping he would marry her. A few moments later Mandryka himself is announced—in fact, not the old Croatian friend, who has died, but his nephew and heir. The younger Mandryka has fallen in love with Arabella’s portrait and sold one of his forests in Slavonia to come to Vienna and ask for her hand. He lends the stunned Waldner some money, then leaves with the promise of an introduction later in the day. Waldner sets off to gamble with his newfound wealth. Matteo returns and Zdenka promises him she will have another letter from her sister that evening at the Coachmen’s Ball. Arabella, alone, reflects on the decision she has to make, her thoughts turning to the stranger she saw in the street. When Zdenka returns, the sisters go off to their sleigh ride. ACT II In the foyer of the ballroom, Waldner introduces Arabella to Mandryka, who turns out to be her fascinating stranger. Their meeting begins awkwardly as Mandryka, not used to Viennese society, feels he doesn’t find the right words, but Arabella is instantly attracted by his honest and straightforward manner—it is love at first sight. Mandryka tells of his young wife who died, of his lands, and the Slavonian custom of a girl pledging her engagement by presenting her future husband with a glass of water. Arabella returns his declaration of love but asks for one last evening to bid farewell to her girlhood. The coachmen’s mascot, the Fiakermilli, enters accompanied by her admirers and names Arabella queen of the ball. Mandryka orders champagne for everyone and steps aside as Arabella bids goodbye to Dominik, Elemer, and Lamoral. Meanwhile Matteo pleads desperately with Zdenka for some sign of Arabella’s professed love. Zdenka presses a key into his hands, telling him it opens the door next to Arabella’s bedroom, and that Arabella will meet him there later this evening. Mandryka, who has overheard the conversation, is appalled. Furious, he orders more champagne, drinks recklessly, and flirts with the Fiakermilli. Waldner appears, demanding to know what’s going on, and Adelaide explains that Arabella has gone home. Assuming there must be some sort of misunderstanding, Waldner convinces Mandryka to return with him to the hotel at once. ACT III Arabella enters the hotel lobby, dreamily thinking about her future life. Matteo, who has just spent some time in a dark room with someone he thought was Arabella, is amazed to find her there and can’t make sense of her cool cordiality. Mandryka arrives with the Waldners. Recognizing Matteo as the person who was given the key, he is convinced of Arabella’s betrayal despite her protestations of innocence. His behavior leads Waldner to demand satisfaction. Suddenly Zdenka comes running down the stairs in a nightgown. Overcome with shame, she confesses she gave herself to Matteo to avert a worse disaster. While her shocked parents forgive her, Matteo happily realizes that something didn’t add up from the beginning and that he is in love with Zdenka. Mandryka, though mortally ashamed, quickly takes charge of the situation and asks Waldner for Zdenka’s hand on Matteo’s behalf. As the others retire to their quarters, Arabella asks Mandryka to have his servant bring a glass of water to her room. Left alone and unable to forgive himself for his lack of trust in Arabella, Mandryka despondently wonders how she feels about him now that she left without even saying goodnight. As he is about to leave, Arabella appears at the top of the stairs, water glass in hand. She forgives Mandryka, and they renew their promise of love.
Saturday, 30 May 2026
American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.
Saturday, 02 May 2026
ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera
Saturday, 10 January 2026
ACT I England, around 1650. Plymouth, a Puritan stronghold, is threatened by siege from the Royalist troops. Distant voices herald the wedding day of Elvira, daughter of Gualtiero, the fortress’s commander. Riccardo enters lamenting that his promised bride, Elvira, loves another man—a Stuart partisan. Her father will not force her to marry against her will, it seems, so Riccardo’s friend Sir Bruno urges him to devote his life to leading the parliamentary forces. Elvira tells her uncle, Giorgio, that she would rather die than marry Riccardo. Her uncle reassures her that he has persuaded her father to let her marry her lover, Arturo. Although Arturo is a Royalist, he is heralded as he approaches the castle. Everyone gathers for the wedding celebration and Arturo greets his bride. He learns that King Charles’s widow, Queen Enrichetta, is a prisoner in the castle and soon to be taken to trial in London. Alone with the queen, Arturo offers to save her even if it means his death. Elvira returns with the bridal veil and capriciously places it over Enrichetta’s head. When he is alone again with the queen, Arturo explains that the veil will provide the perfect disguise for escape from the castle. As they are about to leave, Riccardo stops them, determined to kill his rival. Enrichetta separates them and reveals her identity. Riccardo lets them get away, knowing this will ruin Arturo. The others return for the wedding, and Riccardo tells of Arturo’s escape with Enrichetta. Soldiers rush off in pursuit. Elvira, believing herself betrayed, is overcome by madness. ACT II The townsfolk mourn Elvira’s mental breakdown. Giorgio explains that she continues to long for Arturo. Riccardo arrives to announce that Arturo has been condemned to death by Parliament. The Puritans depart. Elvira wanders in, reliving her happy past. In her madness, she mistakes Riccardo for Arturo and dreams of her wedding. When she leaves, Giorgio tries to convince Riccardo to save Arturo. At first indignant, Riccardo is finally moved to help Elvira, and the two men unite in patriotism: if Arturo returns as a friend, he shall live—if as an armed enemy, he shall die. ACT III In Elvira’s garden, Arturo reveals that love for her has brought him back to Plymouth. He overhears her sing their old love song and is torn between his affection and his loyalty to the Stuarts. Elvira herself appears and Arturo reassures her that she is his only love. Soldiers rush in to arrest Arturo. Just then, a diplomat arrives with the news of the Royalists’ final defeat and a general amnesty for all the offenders. The shock of this news restores Elvira’s senses, and all rejoice in the peace as Elvira and Arturo embrace their new happiness.
Saturday, 08 November 2025
ACT I Paris, in the 1830s. In their Latin Quarter garret, the near-destitute artist Marcello and poet Rodolfo try to keep warm on Christmas Eve by feeding the stove with pages from Rodolfo’s latest drama. They are soon joined by their roommates—Colline, a philosopher, and Schaunard, a musician, who brings food, fuel, and funds he has collected from an eccentric nobleman. While they celebrate their unexpected fortune, the landlord, Benoit, comes to collect the rent. After getting the older man drunk, the friends urge him to tell of his flirtations, then throw him out in mock indignation at his infidelity to his wife. As the others depart to revel at the Café Momus, Rodolfo remains behind to finish an article, promising to join them later. There is another knock at the door—the visitor is Mimì, a pretty neighbor, whose candle has gone out in the stairwell. As she enters the room, she suddenly feels faint. Rodolfo gives her a sip of wine, then helps her to the door and relights her candle. Mimì realizes that she lost her key when she fainted, and as the two search for it, both candles go out. Rodolfo finds the key and slips it into his pocket. In the moonlight, he takes Mimì’s hand and tells her about his dreams. She recounts her life alone in a lofty garret, embroidering flowers and waiting for the spring. Rodolfo’s friends call from outside, telling him to join them. He responds that he is not alone and will be along shortly. Happy to have found each other, Mimì and Rodolfo leave, arm in arm, for the café. ACT II Amid the shouts of street hawkers near the Café Momus, Rodolfo buys Mimì a bonnet and introduces her to his friends. They all sit down and order supper. The toy vendor Parpignol passes by, besieged by children. Marcello’s former sweetheart, Musetta, makes a noisy entrance on the arm of the elderly, but wealthy, Alcindoro. The ensuing tumult reaches its peak when, trying to gain Marcello’s attention, she loudly sings the praises of her own popularity. Sending Alcindoro away to buy her a new pair of shoes, Musetta finally falls into Marcello’s arms. Soldiers march by the café, and as the bohemians fall in behind, the returning Alcindoro is presented with the check. ACT III At dawn at the Barrière d’Enfer, a toll-gate on the edge of Paris, a customs official admits farm women to the city. Guests are heard drinking and singing within a tavern. Mimì arrives, searching for the place where Marcello and Musetta now live. When the painter appears, she tells him of her distress over Rodolfo’s incessant jealousy. She says she believes it is best that they part. As Rodolfo emerges from the tavern, Mimì hides nearby. Rodolfo tells Marcello that he wants to separate from Mimì, blaming her flirtatiousness. Pressed for the real reason, he breaks down, saying that her illness can only grow worse in the poverty they share. Overcome with emotion, Mimì comes forward to say goodbye to her lover. Marcello runs back into the tavern upon hearing Musetta’s laughter. While Mimì and Rodolfo recall past happiness, Marcello returns with Musetta, quarreling about her flirting with a customer. They hurl insults at each other and part, but Mimì and Rodolfo decide to remain together until springtime. ACT IV Months later in the garret, Rodolfo and Marcello, now separated from their girlfriends, reflect on their loneliness. Colline and Schaunard bring a meager meal. To lighten their spirits, the four stage a dance, which turns into a mock duel. At the height of the hilarity, Musetta bursts in with news that Mimì is outside, too weak to come upstairs. As Rodolfo runs to her aid, Musetta relates how Mimì begged to be taken to Rodolfo to die. She is made as comfortable as possible, while Musetta asks Marcello to sell her earrings for medicine and Colline goes off to pawn his overcoat. Left alone, Mimì and Rodolfo recall their meeting and their first happy days, but she is seized with violent coughing. When the others return, Musetta gives Mimì a muff to warm her hands, and Mimì slowly drifts into unconsciousness. Musetta prays for Mimì, but it is too late. The friends realize that she is dead, and Rodolfo collapses in despair.
Saturday, 18 October 2025
ACT I In the village square, preparations are under way for the wedding of Elvino and Amina, a village favorite. Only Lisa, the practical-minded innkeeper, who was once engaged to Elvino herself, is unhappy. Amina enters and expresses her happiness and gratitude to all and especially to Teresa, who brought her up after she was orphaned (“Come per me sereno”). Elvino rushes in late for the contract signing and offers a bouquet of violets to Amina in apology, then gives her a ring that belonged to his mother (Duet: “Prendi, l’anel ti dono”). Suddenly, a stranger arrives—Count Rodolfo in disguise. After accepting Lisa’s offer to spend the night at the inn he declares his love for this place that he has not seen in years (“Vi ravviso, o luoghi ameni”). Noticing Amina, he is struck by her resemblance to a great love of his youth. As it grows dark, the villagers become apprehensive and Teresa explains to the stranger that a ghost haunts the town. Amused, the stranger says he’d like to see the ghost, then departs, followed by the villagers. Alone, Elvino and Amina quarrel over the count’s attentions to Amina, but Elvino soon apologizes for his jealousy (Duet: “Son geloso del zeffiro errante”). At the inn, Lisa has identified the stranger as the lost heir of the former local count. The two of them flirt, when suddenly there is a noise and Lisa hides in the closet, dropping her handkerchief. Amina enters, walking in her sleep. Rodolfo realizes that she must be the village “ghost.” Lisa, however, assumes Amina is coming to meet Rodolfo as a lover and slips away. Moved by her unconscious expressions of love for Elvino, Rodolfo leaves Amina innocently asleep on his bed. Unfortunately, the ever-inquisitive villagers choose this moment to come sneaking in to get another look at the stranger. Lisa appears with Elvino and Teresa, and everyone is shocked to find Amina in the count’s bed. Awakened by the commotion, the girl protests her innocence (“D’un pensiero e d’un accento”). For a moment, the entire village seems heartbroken over Amina’s betrayal, but soon rage sets in. In spite of Teresa’s pleas and Amina’s protestations, Elvino calls off the wedding and, with the rest of the village, turns on Amina (“Non più nozze”) In the ensuing chaos, Teresa picks up Lisa’s handkerchief. ACT II Feeling repentant, the villagers walk through a wood to Count Rodolfo’s castle, to speak to him regarding Amina’s case. Amina and Teresa enter and overhear Elvino lamenting (“Tutto è sciolto”). When he sees Amina, he reproaches her again and takes his ring from her. The villagers return to say that Rodolfo has confirmed Amina’s innocence and is on his way, but Elvino refuses to see his “rival” and leaves in despair. Amina is led away by Teresa. Elvino has decided to marry Lisa after all. He enters to lead her to church, but they are interrupted by the arrival of Rodolfo, who again proclaims Amina’s innocence, explaining to the incredulous crowd that she was only sleepwalking. Teresa appears, asking for quiet, since Amina has fallen asleep from exhaustion. She is shocked to see that Lisa is about to marry Elvino, who replies that Lisa was not found in another man’s room. When Teresa produces the handkerchief, Elvino realizes that Lisa has lied to him. Suddenly Amina appears, sleepwalking at a great height along a treacherous ledge. Afraid of waking her, the villagers watch and pray for her as she slowly reaches safety. Still asleep, Amina mourns the loss of Elvino, remembering the flowers he gave her that have since faded, and searching for her lost ring (“Ah! non credea mirarti”). Convinced of her innocence and unable to watch her suffer any longer, Elvino puts the ring back on her finger. Waking, Amina’s embarrassment turns to joy when she realizes that her dream has come true.
Saturday, 21 March 2026
ACT I Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailor’s song about an Irish girl, and her maid, Brangäne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isolde’s fiancé, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells Brangäne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isolde’s knowledge of herbs and magic, which she learned from her mother. Isolde explains to Brangäne that she recognized Tristan, but her determination to take revenge for Morold’s death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. Brangäne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks Brangäne to prepare her mother’s death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Morold’s death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each other’s arms. Brangäne admits that she has in fact mixed a love potion, as sailors’ voices announce the ship’s arrival in Cornwall. ACT II In the garden of Marke’s castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the king’s departure on a hunting party. Isolde believes that the party is far off, but Brangäne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristan’s friend. She sends Brangäne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the night’s embrace. Brangäne’s distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenal’s arms. ACT III Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isolde’s ship approaching, but the shepherd’s mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isolde’s medicine had killed him then instead of making him suffer now. The shepherd’s tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. Brangäne’s voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the king’s soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while Brangäne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.
Friday, 17 October 2025
“Let your soul take you where you long to be” with this big-screen version of Andrew Lloyd Webber’s blockbuster stage musical. With all the romance (“Love me…that’s all I ask of you”), the spectacle (“Masquerade! Paper faces on parade!”) and the unforgettable score that made this one of the grandest and most popular shows of our time. (“Help me make the music of the night…”)
Friday, 03 October 2025
The story of mixed-martial arts and UFC champion Mark Kerr.
Friday, 26 September 2025
The Strangers are back – more brutal and relentless than ever. When they learn that one of their victims, Maya (Madelaine Petsch), is still alive, they return to finish what they’ve started. With nowhere to run and no one to trust, Maya must survive another horrific chapter of terror as The Strangers – driven by a senseless, unceasing purpose – pursue her, more than willing to kill anyone who stands in their way.
Friday, 31 October 2025
After Bella and Edward's honeymoon, things take a turn for the worse when Bella realises she is pregnant. The baby grows at an abnormally fast rate and causes many health problems to Bella. The wolf pack see the unborn child as a threat and plan to get rid of it. But the Cullens do everything they can to ensure that both Bella and the unborn child remain safe.
Saturday, 01 November 2025
The final Twilight Saga begins with Bella now a vampire learning to use her abilities. And happy to see her daughter, Renesmee is flourishing. But when someone sees Renesmee do something that makes them think that she was turned. This person goes to the Volturi, because it is a violation to turn a child. And the penalty is death for both who turned the child into a vampire and the child, cause they deem a turned child too dangerous. Alice gets a vision of the Volturi coming after them. So the Cullens try to convince them that Renesmee is not a threat. So they ask friends and family to come stand with them. But when someone who has it in for the Volturi shows up and tells them they should be ready for a fight. And they get ready.
Friday, 31 October 2025
Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob -- knowing that her decision has the potential to ignite the struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.
Thursday, 30 October 2025
After Bella recovers from the vampire attack that almost claimed her life, she looks to celebrate her birthday with Edward and his family. However, a minor accident during the festivities results in Bella's blood being shed, a sight that proves too intense for the Cullens, who decide to leave the town of Forks, Washington for Bella and Edward's sake. Initially heartbroken, Bella finds a form of comfort in reckless living, as well as an even-closer friendship with Jacob Black. Danger in different forms awaits.
Tuesday, 14 October 2025
Five interwoven stories that occur on Halloween: An everyday high school principal has a secret life as a serial killer; a college virgin might have just met the guy for her; a group of teenagers pull a mean prank; a woman who loathes the night has to contend with her holiday-obsessed husband; and a mean old man meets his match with a demonic, supernatural trick-or-treater.
Friday, 10 October 2025
“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.
Friday, 10 October 2025
“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.
Friday, 10 October 2025
“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.
Wednesday, 29 October 2025
Bella Swan has always been a little bit different. Never one to run with the crowd, Bella never cared about fitting in with the trendy girls at her Phoenix, Arizona high school. When her mother remarries and Bella chooses to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. But things do change when she meets the mysterious and dazzlingly beautiful Edward Cullen. For Edward is nothing like any boy she's ever met. He's nothing like anyone she's ever met, period. He's intelligent and witty, and he seems to see straight into her soul. In no time at all, they are swept up in a passionate and decidedly unorthodox romance - unorthodox because Edward really isn't like the other boys. He can run faster than a mountain lion. He can stop a moving car with his bare hands. Oh, and he hasn't aged since 1918. Like all vampires, he's immortal. That's right - vampire. But he doesn't have fangs - that's just in the movies.
Saturday, 27 September 2025
Mel Brooks comedy starring Gene Wilder as Dr. Frederick Frankenstein, struggling with the legacy of his infamous mad-scientist grandfather (“That’s FRONKensteen!”) Strong supporting cast includes Marty Feldman as Igor (“It’s pronounced Eye-gor”), Madeline Kahn, Peter Boyle, Terri Garr (“Roll, roll, roll in ze hay,”) and Cloris Leachman as the late baron’s mysterious housekeeper Frau Blucher ("Yes, yes, say it…he vas my boyfriend!”)